- URL: https://blnreview.de
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Webpage Performance Test Result
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- <html lang="de" class="chrome linux"><head> <meta charset="UTF-8"> <meta name="viewport" content="width=device-width, initial-scale=1.0"> <title>Berlin Review </title> <meta name="robots" content=""> <link rel="canonical" href="https://blnreview.de"> <!-- START META Tags --> <meta property="og:title" content="Berlin Review"> <meta property="og:type" content="website"> <meta property="og:title" content="Berlin Review"> <meta property="og:locale" content="de_DE"> <meta property="og:locale:alternate" content="en_EN"> <meta property="og:image" content="https://blnreview.de/media/pages/ausgaben/2024-11/71fb2c1c5e-1728654190/nr-7-visual2.jpg "> <meta property="og:url" content="https://blnreview.de"> <meta name="twitter:card" content="summary_large_image"> <meta name="description" content="Zeitschrift für Bücher und Ideen."> <meta property="og:description" content="Zeitschrift für Bücher und Ideen."> <meta property="og:site_name" content="Berlin Review"> <meta name="twitter:image:alt" content="Alt text for image"> <meta property="fb:app_id" content="bnlreview"> <meta name="twitter:site" content="@blnreview"> <meta name="twitter:creator" content="@blnreview"> <!-- END META Tags --> <link rel="apple-touch-icon" sizes="180x180" href="https://blnreview.de/assets/img/black/apple-touch-icon.png"> <link rel="icon" type="image/png" sizes="32x32" href="https://blnreview.de/assets/img/black/favicon-32x32.png"> <link rel="icon" type="image/png" sizes="16x16" href="https://blnreview.de/assets/img/black/favicon-16x16.png"> <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/lightbox2/2.11.4/css/lightbox.css" integrity="sha512-Woz+DqWYJ51bpVk5Fv0yES/edIMXjj3Ynda+KWTIkGoynAMHrqTcDUQltbipuiaD5ymEo9520lyoVOo9jCQOCA==" crossorigin="anonymous"> <link href="https://blnreview.de/assets/css/style.css" rel="stylesheet"> <script src="https://js.stripe.com/v3/"></script> <script type="text/javascript" src="https://js.stripe.com/v3/buy-button.js"></script> <script src="https://cdnjs.cloudflare.com/ajax/libs/jquery/3.7.1/jquery.js" integrity="sha512-+k1pnlgt4F1H8L7t3z95o3/KO+o78INEcXTbnoJQ/F2VqDVhWoaiVml/OEHv9HsVgxUaVW+IbiZPUJQfF/YxZw==" crossorigin="anonymous"></script> <script defer="" src="https://blnreview.de/assets/js/script.js"></script> <script defer="" src="https://blnreview.de/assets/js/prebid-ads.js"></script></head> <body class="tpl-home slug-home uuid-page://uloLUpIUgHUfmNba logout "> <!-- Google Tag Manager (noscript) --> <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-58N4NSGF" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript> <!-- End Google Tag Manager (noscript) --> <div id="headbanner" style="height:calc((1250 / 3750) * 100vw);background-image:url('https://blnreview.de/media/pages/ads/f0081c148c-1730301250/oj-1_2.jpg')"> <a id="hbw" class="mmm" href="https://www.hebbel-am-ufer.de/programm/pdetail/on-justice-1-ueber-internationales-recht" target="_blank"><span>Anzeige</span></a> </div> <header> <nav id="navbar"> <div id="barList" class="flex"> <ul class="flex flex50 left"> <li><a href="https://blnreview.de/archives/articles:essay"> Essays </a></li> <li><a href="https://blnreview.de/archives/articles:review"> Reviews </a></li> <li><a href="https://blnreview.de/archives/articles:memo"> Memos </a></li> <li><a href="https://blnreview.de/newsletter"> Newsletter </a></li> </ul> <ul class="flex right"> <li class="flexAuto"> <a href="https://blnreview.de/search">Suche</a> </li> <li> </li><li><a href="https://blnreview.de/abo"> Abo </a></li> <a class="toLogin" href="https://blnreview.de/login">Login</a> <li id="langSwitch"> <span class="active"><a href="https://blnreview.de">Deutsch</a></span> | <span><a href="https://blnreview.de/en">English</a></span> </li> </ul> </div> <div id="postData" class="flex"> <div id="parentLink" class="flex3-14"> <a href="https://blnreview.de"> Startseite </a> </div> <div class="siteTitle"><a href="https://blnreview.de">Berlin Review</a></div> <div class="btn btnMenu"> Menü </div> </div> </nav> </header> <main class=""> <article> <section class="free listed lang-en"> <a href="https://blnreview.de/en/ausgaben/2024-11/ana-teixeira-pinto-sigma-male-white-genocide-usa"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Essay </span> <span> <span data-link="https://blnreview.de/en/ausgaben/2024-11/ana-teixeira-pinto-sigma-male-white-genocide-usa" style="color:rgb(0, 160, 250)" class="translang">en</span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> <span style="color:rgb(0, 160, 250)" class="gratis">Login</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Ana Teixeira Pinto </div> <div class="postTitle">When I Was President, No One Ate the Cat</div> </div> <div class="excerpts"> «We ought to take Trump seriously, not literally», someone wisely cautioned. This applies to the entire American hard-right, whose ideological antics might soon become policy. From «White Genocide» to «The Punisher» and «The Sigma Male», the talking points of an internet subculture are about to win. </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <section class="restricted listed "> <a href="https://blnreview.de/ausgaben/2024-11/lena-fiedler-hillbilly-elegy-j-d-vance-appalachen-opioid-crisis"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Memo </span> <span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Lena Fiedler </div> <div class="postTitle">Down in Middletown</div> </div> <div class="excerpts"> J.D. Vance’ Stern ging vor acht Jahren als Buchautor auf: Seine <em>Hillbilly-Elegie</em> galt als Schlüsseltext über die Arbeiterklasse in Trumps Amerika. Einige politische Häutungen später ist er selbst Kandidat der <em>hard right</em>: Zeit für einen Besuch in Middletown, Ohio, Schauplatz seines Memoirs. </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <section class="restricted listed lang-it"> <a href="https://blnreview.de/ausgaben/2024-11/paola-moretti-fleur-jaeggy-erzaehlungen-review"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Review </span> <span> <span data-link="https://blnreview.de/it/ausgaben/2024-11/paola-moretti-anche-le-parole-devono-gelare-fleur-jaeggy" style="color:rgb(0, 160, 250)" class="translang" data-lang="it">+it</span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Paola Moretti </div> <div class="postTitle">«Sogar die Worte, sie müssen gefrieren»</div> </div> <div class="excerpts"> <div class="de focus">Vier Stunden dauere die Lektüre eines Buchs von Fleur Jaeggy, sagte Joseph Brodsky, aber um das Gelesene zu verarbeiten, brauche man ein Leben lang. Mit über achtzig erfährt die schweizerisch-italienische Autorin, deren Romane und Erzählungen von herber Strenge sind, eine verdiente Neuentdeckung.</div><div class="it">«Durata della lettura: circa quattro ore. Durata del ricordo: il resto della vita», diceva Iosif Brodskij di <em>I beati anni del castigo</em>, il maggior successo di Fleur Jaeggy. Ultraottantenne, l’autrice italo-svizzera gode di una nuova fama internazionale, del tutto meritata.</div> </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <section class="restricted listed "> <a href="https://blnreview.de/ausgaben/2024-11/lentz-michael-groenemeyer-herbert-pop-arbeit-kunst-was-soll-das"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Review </span> <span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Julia Friese </div> <div class="postTitle">Was soll das?</div> </div> <div class="excerpts"> Es scheint, Michael Lentz habe aus Gesprächen mit Grönemeyer ein Buch über Grönemeyer gemacht. Doch der Schein trügt. Statt einer Erzählung, die den Menschen hinter dem Kunstarbeiter porträtiert, wird eine staubtrockene Werkbiografie serviert, die zwischen Handbucheintrag und Harmonielehre versackt. </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <aside class="ad" id="middlebanner2"> <figure> <figcaption>Anzeige</figcaption> <a id="middlebanner2link" class="mmm" href="https://www.chbeck.de/bierling-unvereinigten-staaten/product/36959116" target="_blank"> <img src="https://blnreview.de/media/pages/ads/bf0e2a4b82-1730735272/berlinreview_bierling_staaten_600x450px-1.jpg" alt="" srcset="https://blnreview.de/media/pages/ads/8837cf2105-1730735272/berlinreview_bierling_staaten_480x320px.jpg 750w, https://blnreview.de/media/pages/ads/bf0e2a4b82-1730735272/berlinreview_bierling_staaten_600x450px-1.jpg 1200w"> </a> </figure> </aside> <section class="free listed lang-en"> <a href="https://blnreview.de/ausgaben/2024-11/tal-sterngast-paul-celan-yehuda-amichai-welt-israel"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Memo </span> <span> <span data-link="https://blnreview.de/en/ausgaben/2024-11/tal-sterngast-paul-celan-yehuda-amichai-world-israel" style="color:rgb(0, 160, 250)" class="translang" data-lang="en">+en</span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> <span style="color:rgb(0, 160, 250)" class="gratis">Login</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Tal Sterngast </div> <div class="postTitle">«Sag, dass Jerusalem ist»</div> </div> <div class="excerpts"> <div class="de focus">Er könne sich die Welt ohne Israel nicht vorstellen, schrieb Paul Celan 1972 an Jehuda Amichai – und machte damit ein Phantasma namhaft, das den Nahostkonflikt bis heute bestimmt. Kurz nach der israelischen Beeper-Attacke im September traf sich eine Gruppe in Tel Aviv, um diesen Satz zu diskutieren.</div><div class="en">In 1972, Paul Celan wrote to Yehuda Amichai that he couldn’t imagine a world without Israel—a notion that continues to shape the Middle East conflict to this day. Shortly after the Israeli beeper attack in September, a group of scholars gathered in Tel Aviv to discuss Celan’s statement.</div> </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <section class="restricted listed lang-en"> <a href="https://blnreview.de/ausgaben/2024-11/ben-naftali-7-oktober-amir-tibon-lee-yaron"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Review </span> <span> <span data-link="https://blnreview.de/en/ausgaben/2024-11/ben-naftali-7-oktober-amir-tibon-lee-yaron" style="color:rgb(0, 160, 250)" class="translang" data-lang="en">+en</span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Michal Ben-Naftali </div> <div class="postTitle">10/7, von der Häresie zur Sühne</div> </div> <div class="excerpts"> <div class="de focus">Wie man den Holocaust und andere Gräuel medial darstellen sollte, wurde in den 80ern und 90ern heftig diskutiert; heute durchzieht ein betäubender Bilderstrom das Internet. Eine kohärente Geschichte zu erzählen, vermag er nicht. Zwei Bücher von Lee Yaron und Amir Tibon über den 7.10. versuchen es.</div><div class="en">In the 80s and 90s, debates raged on how to represent atrocities like the Holocaust. Today, the internet is flooded with numbing images. Lee Yaron and Amir Tibon’s books on October 7 break through this noise with personal testimony and investigative research, revealing Israel’s torn soul.</div> </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <section class="restricted listed "> <a href="https://blnreview.de/ausgaben/2024-11/detje-robin-berliner-theater-spielzeiteroeffnung-maennertheater-gewalt-postdramatik"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Review </span> <span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Robin Detje </div> <div class="postTitle">Die letzte Schlacht von Berlin</div> </div> <div class="excerpts"> Zur Berliner Spielzeiteröffnung trifft das Kraftakttheater der älteren Männer auf die Postdramatik einer jüngeren Generation, die sich weigert, das Rad der Gewalt immer weiter zu drehen. Das größere Drama spielt derweil fernab der Bühnen, wo das subventionierte Theater ums Überleben kämpft. </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <section class="restricted listed "> <a href="https://blnreview.de/ausgaben/2024-11/meyer-ingo-bienek-horst-literarische-brd-tagebuecher"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Review </span> <span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Ingo Meyer </div> <div class="postTitle">Boulevard Bienek</div> </div> <div class="excerpts"> Krieg, Vertreibung, Zwangsarbeit prägten Horst Bieneks frühen Jahre; später lebte er im Stil eines Kulturattachés im Speckmantel der BRD. 1.700 triefende Tagebuchseiten zeigen den oberschlesischen Autor als einen, der künstlerisch wenig zu geben wusste, aber stets davon ausging, man schulde ihm was. </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> <aside class="autoad letter" id="middlebanner"> <a id="middlebannerlink" href="https://blnreview.de/newsletter" target="_self"> <p><em>Dranbleiben</em><br> Der Berlin Review<br> <strong>Newsletter</strong></p> <span>Anmelden</span> </a> </aside> <section class="restricted listed "> <a href="https://blnreview.de/ausgaben/2024-11/jamieson-webster-alle-sind-auf-drogen-psychopharmaka-essay"> <div class="flex metaInfo"> <span class="flex50B flex postType" style="justify-content: space-between;"> <span> Essay </span> <span> </span> </span> <span class="flex50B flex ausgabeData" style="justify-content: space-between; color:rgb(0, 160, 250)"> <span><span class="">No 7</span> Nov. 2024</span> </span> </div> <div class="postmeta"> <div class="postAuthor"> Jamieson Webster </div> <div class="postTitle">Alle sind auf Drogen</div> </div> <div class="excerpts"> Die amerikanische Gesellschaft verlässt sich quer durch alle Klassen und Altersstufen auf Psychopharmaka, die deutsche tut es ihr zusehends nach. 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Mit neuen Texten und einer Auswahl der besten Essays, Reviews und Memos aus unseren ersten fünf Monaten. Im Editorial stellen wir unseren ersten <em>Reader</em> vor, schauen kurz zurück und gespannt nach vorne. </div> </a> </section> <style>/* inner styles set by WPT to match CSSOM */ul#test { position: relative; height: 130px; }ul#test li { opacity: 0; transition: opacity 0.3s ease-in-out; position: absolute; width: 100%; }ul#test li:nth-child(1) { animation: 6s ease 0s infinite normal none running fadeInOut; }ul#test li:nth-child(2) { animation: 6s ease 3s infinite normal none running fadeInOut; }@keyframes fadeInOut { 0%, 25% { opacity: 0; } 50%, 75% { opacity: 1; } }</style> </article> <div id="ausgabePromo"> <div id="headTitle"> <a href="https://blnreview.de/ausgaben/2024-11"> <div id="coverTitle">Berlin Review</div> <div id="underline"><span>Zeitschrift für Bücher und Ideen</span><span class="lnum">Nº 7</span><span>November 2024</span></div> </a> </div> <a href="https://blnreview.de/ausgaben/2024-11"> <div id="sommaire"> <span class="nowrap">Michal Ben-Naftali</span> <span class="nowrap">Jamieson Webster</span> <span class="nowrap">Julia Friese</span> <span class="nowrap">Rachel Pafe</span> <span class="nowrap">Jan Altaner</span> <span class="nowrap">Robin Detje</span> <span class="nowrap">Tal Sterngast</span> <span class="nowrap">Paola Moretti</span> <span class="nowrap">Ingo Meyer</span> <span class="nowrap">Ana Teixeira Pinto</span> <span class="nowrap">Lena Fiedler</span> </div> </a> <a href="https://blnreview.de/ausgaben/2024-11"> <svg viewBox="0 0 100 100" xmlns="http://www.w3.org/2000/svg"> <circle cx="50" cy="50" r="44"></circle> </svg> </a> </div> <style>/* inner styles set by WPT to match CSSOM */* { --coverColor: rgb(0, 160, 250); 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